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CHAPTER
IV
REVIEW OF THE ELECTRONIC MEDIA
PRODUCTION ON TRAFFICKING IN NEPAL
Anju Chhetri/Manju Thapa
4.1 Introduction
The electronic media has produced many audio-visual materials to draw
the attention of individuals and institutions on the a purpose of trafficking
in women and girls in Nepal. The efforts has been made to communicate
how the poor and uneducated girls and women become victims of different
kinds of violence and are trafficked from Nepali villages to Indian sex
market by the criminals.
This chapter of the report deals with the programmes broadcasted on Nepal
Television and Radio Nepal as well as feature films focused on trafficking
in women and girls. No specific framework or methodology is used to review
both audio and audio-visual materials, however, the subject matter, quality
and reliability of information, investigation on the issues, and projection
and presentation of the subject matter is discussed in this chapter. The
electronic media materials reviewed here are categorized as follows:
A. Audio-visual Materials
The review included 22 programmes of NTV. Out of the total 22 programmes,
11 were produced by Nepal Police and episodes of them were on a weekly
Police Programme of NTV. The other 4 talk programmes and 2 telefilms are
the productions of NTV itself were as rest are the production of various
NGOs and INGOs.
B. Feature Film
Nepali film industry has produced 3 movies namely Chelibeti, Praticksha,
and Cheli based on the topic of trafficking in women and girls so far.
Other two movies Anyaya and Dkadeshma have also considered this issue
as sub-plots of the stories.
C. Audio Programmes
Radio Nepal has been continuously broadcasting the programme called Chelibeti
('Sisters and Daughters') since 1991, to attract the attention of audience
and to raise mass consciousness on issue of trafficking in women and girls.
Initially, the programme was aired fortnightly in the name of Cheliko
Byatha ('Pangs of Daughters') but later it was changed into a weekly programme
named Chelibeti.
Initially, the programme aimed to analyze overall aspects of the problem
of trafficking. It was also successful to fulfill this purpose. But after
a few months, audiences complained the programme producer that they were
not ready to listen to the same issue of trafficking for all the times.
They demanded variety in presentation of women related topics. Therefore,
the subject matter of this programme was slightly twisted and broadened.
The other women related topics except trafficking were also included in
this programme.
Similarly, Prahari Karyakram ('Police Programme') aired on Radio Nepal
has also given great importance to the issue of trafficking. Many episodes
and news regarding the issue have been namely Mahila Karyakram ('Women's
Programme') also has sometimes aired the materials on the issue of trafficking.
Unfortunately, Nepal Police and Radio Nepal could not provide the details
of these programmes. Therefore, this chapter reviews a single programme
Chelibeti aired on Radio Nepal.
Total 175 episodes on the issue of trafficking in women and girls were
aired in programme Chelibeti in a periods from 1991 to September 1997.
Out of the total 175 episodes, only 100 episodes were made avaiable which
were listened to with a purpose of reviewing these audio materials. Reliability
an updatedness of information and effectiveness of their presentation
are the focuses of this study.
The study is completely silent about private FM channels of Radio.
4.2 Nepal Television
4.2.1 Telefilms
Among the television programmes telefilms are considered to be an effective
form of entertainment and information. Some telefilms are completed even
in a single episodes whereas some others might be more longer including
several episodes. There are both single and multiple episodes telefilms
that are based on the issue of trafficking. A total of 11 telefilms were
selected for the analysis in this section of report that are produced
by NTV, Nepal Police and other non-government organizations and individuals.
Script and Information
Most of the telefilms have some similarity and uniformity in the aspects
of economically poor family structure, uneducated society and domestic
violence against women. Similarly, higher tediousness and difficulty in
rural life are the factors easing to allure uneducated and naive village
girls. In contrast, the counterpart culprits are shown as fearless and
working with a huge network who adopt the methods of alluring, manipulation,
fake marriage and high sounding assurances. These telefilms have also
mentioned trafficking as a source of earning easy money. The rich and
pseudo benevolent persons of the society and even the close relatives
and guardians as well as close friends are also shown as the traffickers
of the women and girls. Thus the scripts are developed around these similar
features. This fact clearly states that all these telefilms have been
produced from the inspiration of the real problem of trafficking withthe
goals of raising mass consciousness against this inhuman flesh trade.
In all the scripts, victim women are presented to have been severely
shocked when they knew that they were sold in brothels for prostitution.
Then they request to even traffickers, brothel keepers and clients to
make themselves free and allow them to return back to their family. But,
their requests are denied and they are forced to accept the bonded sex-slavery.
They are kinds of torture are found in all stories, that are: burning
by cigarettes, beating and stroking, pulling hair, jolting, pushing etc.
If the trafficked women do not still accept the job, even after these
ordinary tortures, they are raped by vigilantes and gundas who are nurtured
by the brothel keeper. These all telefilms state a clear fact that all
trafficked women are taken to brothel by temptation and deception, and
none of them is trafficked with coercion. Innocence of village girls as
well as educated urban girls are tactfully exploited to traffic them.
Another important aspect depicted in the telefilms is the roots and border
of trafficking from villages to brothels in India. Generally, the roots
are found very similar in all telefilms. The brokers allure girls in the
villages and bring them in different urban areas where the victims are
offered to consume various types of modern commodities and to visit interesting
places for a few days that tantalizes them to acquire more facilities
in future. Thereafter, the girls and women respect and believe more in
the conspirators and they never attempt to oppose the orders of these
masters. This situation facilitates the brokers to cross the borders with
victims and reach at brothels to sell them.
The rescue part is not given due importance and space in these telefilms.
Only two telefilms namely Bedana Ra Mukti and Nirdosh Kaidi have incorporated
the rescue operation in the plots. Trafficked women are shown returned
back to their family and country only after getting infected by HIV virus
or developed AIDS. The attitude of the society or common people workers
are very sympathetic, co-operative and positive towards these victims.
criminals are presented committing crimes with networks in organized groups.
Most of the victims in the telfilms introduce themselves as inhabitants
of Sindupalchowk, Nuwakot and Dhading which are generally explained as
prone areas of trafficking in reality too.
The another telefilm Raata ('The Night'), a UNDP production, should be
highly evaluated for its presentation and projection of the issue. Though
its main theme is AIDS, it has shown the trafficking and prostitution
as a cause of AIDS. The whole concentration of the script is moving around
AIDS, still a short scene has sketched out how Nepali women and girls
are trafficked to India and forcibly kept into brothels through fake marriage;
and how the trafficked victim can contract HIV/AIDS; and how does it spread
over the society. The presentation is very successful to catch the sentimentality
of audiences. Perhaps it is attributed to the acting and direction of
two comedian superstars of Nepali screen Madan Krishna Shrestha and Hari
Bansha Acharya.
Similarly, telefilms produced by Nepal Police, namely Thul Dhungaki Chameli
('Chemeli of Thul Dhunga'), Katha Bara ('Pity'), Cheliko Aawaj ('Voice
of Daughters') and Pahad Sakie Pachhi ('Beyond the Hills') are ordinary
in presentation and projection of the issue of trafficking.
Nirdosha Kaidi ('Innocent Prisoner') is a film-telcast produced by Nepal
Television per sec. The main theme of this serial is also trafficking.
The other serials have presented rural areas as the origins of trafficking,
but in contrast to others this serial has presented the urban social surrounding
as also a place of origin of trafficking. It has given a different dimension
of trafficking. Similarly, a 32 episode teleserial Jeewan Yatra, produced
by NTV has also raised the issue of trafficking in its 3 different episodes.
Another serial Devi-a UNICEF production, has also included the issue of
trafficking and AIDS. Presentation of the issue of trafficking is appreciable
in this serial. AIDS victims (trafficked women) being accepted by the
family and society is another positive aspect towards rehabilitation of
this serial.
There are three other NGO produced telefilms, Habigat by ABC Nepal, Under
the Tin Roof by Center for Women and Development (CWD) and Bedana Ra Mukti
by WOREC. TWo telefilms Habigat and Under the Tin Roof has been already
tele-casted twice on Nepal Television.
The presentation aspect in Under the Tin Roof and Habigat looks very
weak and poor. Some of the scenes are very ridiculous and the characters
are also found with a low quality performance. These films are not able
to inform effectively the audience on the issue of trafficking.
The WOREC produced 2 hours long telefilm titled as Bedana Ra Mukti is
introduced as a documentary. However, the story plot has made it a telefilm
that is district from a documentary. It has tired to narrate many ways
and possibilities of trafficking. The state of legal enforcement has also
been attacked as it has failed to punish offenders. Political leaders
are also illustrated as giving protection to the criminals as well as
crime. In general, the projection of the issue of trafficking in women
and girls is too dramatic and less realistic.
4.2.2 Documentary
Seven different documentary produced by Nepal Police are considered for
the review in this sub section. These documentaries are: Beshybriti ('Prostitution'),
Nuwakot ('Nuwakot': A District), Chetanako Diyo ('Torch of Awareness'),
Aashu Yarshako ('Tears of Yarsha'), Jhapa Cheli ('Daughter of Jhapa')
and Sindhupalchok ('Sindhupalchok': A District). These are the film-telecasts
by Nepal Television in the programme of Nepal Police.
A documentary Byatha Cheliko ('Pangs of Daughters') was rejected to tele-cast
on television by the NTV Censor Board, because of the illustration of
involvement of Tibetan Merchants in trafficking as initiators of the activity.
In fact, the information incorporated in the documentary are consistent,
interesting and reasonable to make audience rethink over some established
concept of trafficking in Nepal. Unfortunately, the audience are deprived
of watching this documentary.
In conclusion, all the documentaries produced by Nepal Police are informative
and well illustrated. Local people of the vulnerable areas are depicted
participating actively in the awareness campaigns. They present a portrayal
that each and every person and institutionof the society is ready to raise
the voice and fight against this inhuman crime. The only lacking of these
documentaries is that they have less focused on the criminals that it
was expected.
Selling of Innocents, a documentary produced by BBC, is mainly focused
on sex market in Kamathipura of Mumbai. It has depicted the trafficking
in women from Nepal with a major reason of poverty. It has stated that
around one hundred thousand Nepali girls are providing their services
to Indian sex market. Many unskilled and vulnerable village girls arrive
at the carpet factories in Kathmandu in search of employment. Unfortunately,
the carpet factories are used as entry points of their trafficking to
Mumbai. According to this documentary, everyday, at least a girl is raped
or kidnapped in Nepal. Nepali NGOs are working for rehabilitation of women
and child victims of violence. These are the major information provided
by the documentary in the context of Nepal.
Vague title, unauthentic information without reference, exposition of
only Nepali girls in Mumbai and lack of recommendation for effective policy
options are the limitations of this documentary.
4.2.3 Talk programmes
Talk programmes inform audience on various aspects political, social,
economic and other issues. The participating intellectuals, social workers,
bureaucrats, officials, different professionals and general public opine
their views on these issues and problem of society in talk programmes.
Therefore, talk programm is recognized as an important form of tele-casts.
Among the four episodes of talk programmes, 3 are from Jagriti and one
is from Ek apas. One episode of Jagriti and one episode of Ek apas were
on the returnees from Mubai brothels. In both programmes, representatives
of His Majesty's Government and of different NGOs had clearly manifested
extremely opposite opinion and aproaches to deal with the issue of trafficking.
Their expresseions and views were contrasting to each other. The government
authorities were confession the lack of coherent and clear-cut policy
to tackle the problem even to rehabilitate the returnees. On the contrary,
social workers from different NGOs were advocating for the government
undertaken immediate and effective steps.
The programme anchors were not capable to explore the problems and solutions
with their witty and tactfully conduction of conversations. Almost all
talk programmes ended at an undecided state of policy and implementation.
Two episodes of Jagriti were based on the issue of trafficking presented
in ordinary aspects of causes and consequences. They were less effective
and only problem oriented.
Weak structure of programme as well as loose hold of the anchors over
information related to the issue of trafficking are the limitations of
these programmes. In general, talk programmes were less impressive with
inadequate information.
4.3 Feature Films
The films Chelibeti, Pratickchha and Cheli have developed main plot on
the issue of trafficking whereas the movie Aanyaya has dealt with the
issue of trafficking in its sub-plot only. Ther are both similarities
and differences in the scripts of all three movies. The major point of
similarity is that all the movies have presented fake marriage as a method
to trap women who are trafficked later in Indian sex market. The distinction
among them is in the number of cases. The movie Chelibeti has aimed to
disclose the direct contact of so-called gentleman (landlord type person)
in the villages to the brothel owners of Indian sex market for the promotion
of trafficking in women. These dominant persons of the village pretend
to show their sympathy towards poor and vulnerable girls who respect them
and who ar easily enticed and inadvertenly trafficked by them. The vulnerable
girls areenticed in varius forms, eg., fake marriage, hope for better
employment. Apart from this, they are also coerced and kidnapped. Another
lesson spread by this cinema is not only poor, uneducated and village
girls but educated and urban girls from rich family might also be enticed
and trafficked for prostitution. Though many approaches and forms of trafficking
in women and girls have been intermingled in the movie, some parts of
the presentation look very unnatural and dramatic. For the sake of commercial
success of the movie some extra superficial and fictitious scenes are
included in the cinema.
The presentation is normal from the artistic point of view. The film
is less impressive, but it has concentrated the theme on the issue of
trafficking in general. Very few scenes are able to draw viewers' attention.
In conclusion, its effort should be evaluated as a positive step to prevent
the problem.
Another feature film Pratiksha is mainly concentrated on a single case
of trafficking where a girl is taken to Indian brothel by her fake husband
but she succeeds to return back from there to her own family. She cannot
expose the reality of her trafficking in front of family and other villagers
because she fears that others may dislike and humiliate her. The fake
husband also knows the dilemma and mentality of victim and again dares
to come back to take her with him. He creates a story that his wife and
his mother had some understanding problems and she returned to her maternal
home. The scenes are far from the facts, and unbelievably fictious making
the movie longer. Overall, the movie is interesting, entertaining and
attractive for general viewers.
The efforts of these movies are appreciable that they have raised the
issue of trafficing in women in feature films and informed a large number
of viewers about the issue. Problems have been identified in the movies,
however, the solutions are required efforts to prevent trafficking are
not impressibely dealt. These movies heavily lack the notion of essence
of prevention of trafficking in Nepal.
4.4 Audio Programmes
Chelibeti Karyakrama ('Programme for Daughters and Sisters'):
Namaste ! (Greeting!) from the fortnightly Programme- Cheliko
Byatha ('Pangs of Daughters').
"This programme is broadcasted on second and fourth Monday
of everymonth at 8.30 a.m. for fifteen minutes. Perhaps the audience know
the main purpose of this programme that every year innocent, helpless,
guardianless, vulnerable and poor Nepali daughters are enticed and allured
for getting good jobs and they trafficked as cattle to different brothels
of India for other's profit."
"This programme would like to request to all our brothers
and sister to be alert tactful brokers who have habit of trafficking women
again and again."
"Our innocent village daughters are naive and believe in
the false assurances of the offenders. Moreover, they also tell lies with
police according to the persuasion of these pseudo guardians or brokers.
The devastating result would be that these daughters are easily crossed
the border and approached to various brothels of India for the profit
of these pimps."
These quoted statements clearly describe the characteristics and efforts
of the programme Chelibeti to enhance mass awareness. Various types of
materials such as song, drama, interview of trafficked women and girls,
lawyers, social workers, offenders etc. have been used to provide information.
Finally, the contribution of this programme for the prevention of trafficking
in women through media is highly appreciable because of its good quality
in investigation and presentation of the issue.
In some of the episodes the programme conductor was found using statistics
as 5000 to 7000 girls and women are trafficked to India every year, out
of which five hundred five (505) were the minors of below 18 years of
age. Also the estimated figure of total trafficked was presented to be
100,000 out of which 20 per cent were reported to be trafficked by deception,
among which 105 were reported to be trafficked by their relatives.
These are very funny, baseless an unrealistic statistics. A radio-broadcast
by national media should use authentic data sources. Even the programme
anchors did not dare to quote the sources of information. Such a broadcast
may mislead the total phenomena regarding trafficking.
4.5 Conclusion
Poor, uneducated, innocent and especially village girls and women from
Nepal, are being trafficked in lagre numbers to be used as sex slaves
and sex workers in Indian sex market. The electronic media is one of the
powerful instruments to sensitize the issue and to disseminate the awareness
materials. However, the audio-visual media have produced quite a few materials
and among them only a few are found to have been effective in their presentation
and grasp of the issues. This mode of the use of electronic media is found
to be traditional and ineffective without being much strategic to attract
the target audience. Therefore, to raise the mass consciousness against
this inhuman flesh trade the use of electronic media is to be reorganized
and new strategy is to be formulated.
There are various limitations and lack of strong and favorable infrastructure
to produce qualitative audio-visual materials. Therefore, these programmes
should not be reviewed much critically. Despite their limitations the
objectives of some of the produced programmes are clear and successful
to inspire the auience to fight against the crime.
Since radio is the only means of information and entertainment in rural
Nepal, the efficacy of audio programme would be higher. Chilibeti on Radio
Nepal seems to be useful than others. Nepal is a country with lower literacy
rate and higher poverty. In such a situation radio is proved as most effective
means of communication that is accessible to most of the population. Similarly,
documentaries provide the real illustration of issues. Conceptually, the
documentary should be based on investigation and facts. Therefore, it
can also inspire the viewers to raise voice against the crime. However,
Nepali documentaries are not able to maintain the requirements and standard
of the documentaries, so far, are appreciable with a hope of future advancement
in this technology.
Similarly, some of the selected telefilms are also successful to narrate
the causes of trafficking, forms of torture to trafficked women and the
consequences. Only a few of the telefilms are exceptionally appreciable
in the form of script, presentation and dealing of the issues. But, a
majority of the films are poor in quality and presentation of the issues.
In general, the telefilms are proven as insufficient to raise mass awareness
against the crime of trafficking in women.
The talk programmes also lack effectiveness with respect to the adequacy
of the dealing of issues, reccommending the policy options and empowering
the audience with the consequences of trafficking. The anchors need to
be more knowledgeable in depth the issues and their ability should be
enhanced. The programme may contribute to fill in the gap and disseminate
the ideas to general public and concerned authorities regarding the issue
of trafficking in women and girls.
4.6 Recommendations
1. Programme like Chelibeti should be broadcasted daily on radio. New
and effective experiments should be adopted to make the programme more
information and interesting.
2. Informative documentaries and news analysis programmes on the issue
of trafficking should be tele-casted on television.
3. Talk programmes should be on air by radio and TV to monitor the current
activities.
Table 4.1
List of the Audio-visual Programs Reviewed in the Study.
|
Title
|
Type
|
Source
|
No. of Episode
|
|
Nirdosh Kaidi
|
Telefilm
|
Nepal Television
|
|
|
Jivan Yatra
|
Telefilm
|
Nepal Television
|
|
|
Thul Dhungaki Chemeli
|
Telefilm
|
Nepal Police
|
|
|
Kathaibara
|
Telefilm
|
Nepal Police
|
|
|
Pahad Sakiyepachhi
|
Telefilm
|
Nepal Police
|
|
|
Cheliko Aawaj
|
Telefilm
|
Nepal Police
|
|
|
Habigat
|
Telefilm
|
ABC Nepal
|
|
|
Bedana ra Mukti
|
Telefilm
|
Worec
|
|
|
Devi
|
Telefilm
|
UNICEF
|
|
|
Raat
|
Telefilm
|
UNDP
|
|
|
Byathaa Celibetiko
|
Documentary
|
Nepal Police
|
|
|
Beshyabritti (Prostitution)
|
Documentary
|
Nepal Police
|
|
|
Nuwako
|
Documentary
|
Nepal Police
|
|
|
Sindhupalchwok
|
Documentary
|
Nepal Police
|
|
|
Jhapa Cheli
|
Documentary
|
Nepal Police
|
|
|
Aanshu Yarshako
|
Documentary
|
Nepal Police
|
|
|
Cetanako Diyo
|
Documentary
|
Nepal Police
|
|
|
Selling of Innocents
|
Documentary
|
Canadian Broadcasting Cooperation
|
|
|
Celibeti
|
Feature Film
|
|
|
|
Pratiksha
|
Feature Film
|
|
|
|
Anyay
|
Feature Film
|
|
|
|
Ekadeshama
|
Feature Film
|
|
|
|
Jagriti
|
Talk Program
|
Nepal Television
|
3
|
|
Eka-Aapasha
|
Talk Program
|
Nepal Television
|
1
|
|
Celiko Byatha
|
Audio Program
|
|
10
|
|